The Top 100 Best Fonts Of All Time

Below you will find the full list of the best 100 fonts along with the designer & the year in which they were designed.

33-best-fonts

1. Helvetica [1957 – Max Miedinger]

2. Garamond [1530 – Claude Garamond]

3. Frutiger [1977 – Adrian Frutiger]

4. Bodoni [1790 – Giambattista Bodoni]

5. Futura [1927 – Paul Renner]

6. Times [1931 – Stanley Morison]

7. Akzidenz Grotesk [1966 – G nter Gerhard Lange]

8. Officina [1990 – Erik Spiekermann]

9. Gill Sans [1930 – Eric Gill]

10. Univers [1954 – Adrian Frutiger]

11. Optima [1954 – Hermann Zapf]

12. Franklin Gothic [1903 – Morris Fuller Benton]

13. Bembo [1496 – Francesco Griffo]

14. Interstate [1993 – Tobias Frere-Jones]

15. Thesis [1994 – Lucas de Groot]

16. Rockwell [1934 – Frank H. Pierpont]

17. Walbaum [1800 – Justus Walbaum]

18. Meta [1991 – Erik Spiekermann]

19. Trinit [1982 – Bram De Does]

20. Din [1926 – Ludwig Goller]

21. Matrix [1986 – Zuzana Licko]

22. OCR [1965 – American Type Founders]

23. Avant Garde [1968 – Herb Lubalin]

24. Lucida [1985 – Chris Holmes / Charles Bigelow]

25. Sabon [1964 – Jan Tschichold]

26. Zapfino [1998 – Hermann Zapf]

27. Letter Gothic [1956 – Roger Roberson]

28. Stone [1987 – Summer Stone]

29. Arnhem [1998 – Fred Smeijers]

30. Minion [1990 – Robert Slimbach]

31. Myriad [1992 – Twombly & Slimbach]

32. Rotis [1988 – Olt Aicher]

33. Eurostile [1962 – Aldo Novarese]

34. Scala [1991 – Martin Majoor]

35. Syntax [1968 – Hans Eduard Meier]

36. Joanna [1930 – Eric Gill]

37. Fleishmann [1997 – Erhard Kaiser]

38. Palatino [1950 – Hermann Zapf]

39. Baskerville [1754 – John Baskerville]

40. Fedra [2002 – Peter Bil’ak]

41. Gotham [2000 – Tobias Frere-Jones]

42. Lexicon [1992 – Bram De Does]

43. Hands [1991 – Letterror]

44. Metro [1929 – W. A. Dwiggins]

45. Didot [1799 – Firmin Didot]

46. Formata [1984 – Bernd M llenst dt]

47. Caslon [1725 – William Caslon]

48. Cooper Black [1920 – Oswald B. Cooper]

49. Peignot [1937 – A. M. Cassandre]

50. Bell Gothic [1938 – Chauncey H. Griffith]

51. Antique Olive [1962 – Roger Excoffon]

52. Wilhelm Klngspor Gotisch [1926 – Rudolf Koch]

53. Info [1996 – Erik Spiekermann]

54. Dax [1995 – Hans Reichel]

55. Proforma [1988 – Petr van Blokland]

56. Today Sans [1988 – Volker K ster]

57. Prokyon [2002 – Erhard Kaiser]

58. Trade Gothic [1948 – Jackson Burke]

59. Swift [1987 – Gerald Unger]

60. Copperplate Gothic [1901 – Frederic W. Goudy]

61. Blur [1992 – Neville Brody]

62. Base [1995 – Zuzana Licko]

63. Bell Centennial [1978 – Matthew Carter]

64. News Gothic [1908 – Morris Fuller Benton]

65. Avenir [1988 – Adrian Frutiger]

66. Bernhard Modern [1937 – Lucian Bernhard]

67. Amplitude [2003 – Christian Schwartz]

68. Trixie [1991 – Erik van Blokland]

69. Quadraat [1992 – Fred Smeijers]

70. Neutraface [2002 – Christian Schwartz]

71. Nobel [1929 – Sjoerd de Roos]

72. Industria [1990 – Neville Brody]

73. Bickham Script [1997 – Richard Lipton]

74. Bank Gothic [1930 – Morris Fuller Benton]

75. Corporate ASE [1989 – Kurt Weidemann]

76. Fago [2000 – Ole Schafer]

77. Trajan [1989 – Carol Twombly]

78. Kabel [1927 – Rudolf Koch]

79. House Gothic 23 [1995 – Tal Leming]

80. Kosmik [1993 – Letterror]

81. Caecilia [1990 – Peter Matthias Noordzij]

82. Mrs Eaves [1996 – Zuzana Licko]

83. Corpid [1997 – Lucas de Groot]

84. Miller [1997 – Matthew Carter]

85. Souvenir [1914 – Morris Fuller Benton]

86. Instant Types [1992 – Just van Rossum]

87. Clarendon [1845 – Benjamin Fox]

88. Triplex [1989 – Zuzana Licko]

89. Benguiat [1989 – Ed Benguiat]

90. Zapf Renaissance [1984 – Hermann Zapf]

91. Filosofia [1996 – Zuzana Licko]

92. Chalet [1996 – House Industries]

93. Quay Sans [1990 – David Quay]

94. C zanne [1995 – Michael Want, James Grieshaber]

95. Reporter [1938 – Carlos Winkow]

96. Legacy [1992 – Ronald Arnholm]

97. Agenda [1993 – Greg Thompson]

98. Bello [2004 – Underware]

99. Dalliance [2000 – Frank Heine]

100. Mistral [1953 – Roger Excoffon]

One thought on “The Top 100 Best Fonts Of All Time

  1. tom dit :Merci pour ton commentaire. Ca fait plsiair ! Pour le choix de la couleur, c’est sfbr que c’est ultra institutionnel, j’aurais sans doute vu un truc plus pe9chu mais j’ai de9je0 re9ussi e0 e9chapper aux de9grade9s, je vais pas trop me plaindre ๐Ÿ™‚ J’ai encore deux trois autres boulots dans le meame genre e0 pre9senter meame si pour certain, je suis oblige9 d’attendre que ca sorte pour en parler ๐Ÿ™‚ Mais je pense que d’ici une ou deux semaines, j’aurais peut eatre un gros truc e0 montrer (e7a c’est juste pour teaser un peu !).PS : dis donc, tu bosses tard e0 ce que je vois

Leave a Reply

Your email address will not be published. Required fields are marked *

CAPTCHA